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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Ruth Shaw Wylie ： ウィキペディア英語版 Ruth Shaw Wylie Ruth Shaw Wylie (24 June 191630 January 1989) was a U.S.-born composer and music educator. She described herself as “a fairly typical Midwestern composer,” pursuing musical and aesthetic excellence but not attracting much national attention: “All good and worthy creative acts do not take place in New York City,” she wrote in 1962, “although most good and worthy rewards for creative acts do emanate from there; and if we can’t all be on hand to reap these enticing rewards we can take solace in the fact that we are performing good deeds elsewhere.”〔Wylie, “Scores by the Score,” ''Dance Magazine'' 36/11 (November 1962), 52-54.〕 She was among the many twentieth-century American composers whose work contributed to the recognition of American “serious” music as a distinct genre. ==Biography== Ruth Shaw Wylie was born in Cincinnati, Ohio and grew up in Detroit, Michigan, where she received her undergraduate degree and a master's degree in music composition at Wayne State University (WSU). In 1939 she entered the doctoral program in music composition at the Eastman School of Music where she studied with Bernard Rogers and Howard Hanson. She was awarded the PhD in 1943 and took a position teaching at the University of Missouri where she stayed until 1949. In the summer of 1947 she studied with Arthur Honegger, Samuel Barber, and Aaron Copland at the Berkshire Music Center at Tanglewood. She returned to Detroit to teach at WSU where she remained for twenty years, retiring from teaching as Professor Emerita in 1969.〔Wylie, "(Ruth Wylie, A Musical Consolidator )," interview by the journal editor (probably Helen Dunn Bodman), AWC News/Forum (Newsletter of American Women Composers Inc.) 9/2-3 (May-Sept 1985)〕 She moved to Salt Lake City, Utah, and then to Estes Park, Colorado in 1973, and continued composing. At WSU Wylie taught music theory and composition and served as head of composition; during one year she served as interim chair of the music department. In the early 1960s she founded, directed, and performed with the WSU Improvisation Chamber Ensemble; she continued to count her work with group improvisation as among her most significant contributions. She received a number of awards, including "Friends of Harvey Gaul" and the ASCAP Standard Award. Wylie was a resident fellow at the Huntington Hartford Foundation (1953–54) and at the MacDowell Colony (1954 and 1956). She composed ''The Long Look Home'' for the Michigan Chamber Orchestra for a Bicentennial Celebration commission from the Michigan Council for the Arts. Wylie published articles on music in the ''Journal of Aesthetics and Art Criticism,''〔“Musimatics: A View from the Mainland,” Journal of Aesthetics and Art Criticism 24/2 (Dec 1965), 287-93.〕 in the Detroit journal ''Criticism'',〔Wylie, Review of Roman Vlad, Stravinsky, transl. Frederick and Ann Fuller (New York: Oxford University Press, 1960), Criticism: A Quarterly for Literature and the Arts (Detroit) 3/4 (Fall 1961), 343-46.〕 and elsewhere. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ruth Shaw Wylie」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.